A beautiful and strange hybrid of electronic and organic moments that unfold in their own time and space. Crafted with spacious structures, intricate production and weathered soundscapes, then layered with whispery vocals and haunting melodies. 

Same Waves is Lindsay Anderson (L'altra, Telefon Tel Aviv) and John Hughes (Slicker, HFT).

  Same Waves  is Lindsay Anderson and John Hughes. Hughes first crossed paths with Anderson in 2002 when she recorded vocals for Telefon Tel Aviv’s single, “Sound in a Dark Room,” which would appear on Hughes’ Hefty Records imprint. Hefty went on to release work from Anderson’s group  L’Altra , as well as her vocal contributions for Telefon Tel Aviv and Hughes’ own studio projects. The two reconnected over a cup of coffee 3 years ago, eager to document a new period in their musical lives through a collaboration from the ground up. Anderson, a songwriter, singer and multi-instrumentalist and Hughes, a producer and electronic musician, create a beautiful and strange hybrid of synthesized and organic elements on  Algorithm of Desire.  The album, equal parts pristine and weathered, lyrically and sonically explores themes of human connection, algorithmic technology, desire and artistic creation, all within the confines of a surrealist landscape. The album was recorded outside of Chicago at HFT Studio and includes several players from the Chicago jazz and improvisational scene.  In addition to their work as Same Waves, Anderson and Hughes, record under the name  Hibernis  for the Welsh ambient label Serein. Their full-length  Middle of the Meds,  released October 19, 2018, is described as “a spiritual, eyes-closed trip invoked by modular synths and haunted vocals”. The album was recorded simultaneously with  Algorithm of Desire  and since Hibernis’ sound fabric was of a more minimal and improvisational nature, it was used a meditative tool to begin their Same Waves recording sessions. This exercise paved the way for a loser, more organic sound and songwriting process for the duo. Realizing they were headed in a new direction, they let go of much of the earlier Same Waves material to make room for newer ideas and expression. Reshaping and re-contextualizing some of the previous songs as well as writing new material, the two discovered their process and their sound was fully formed.

Same Waves is Lindsay Anderson and John Hughes. Hughes first crossed paths with Anderson in 2002 when she recorded vocals for Telefon Tel Aviv’s single, “Sound in a Dark Room,” which would appear on Hughes’ Hefty Records imprint. Hefty went on to release work from Anderson’s group L’Altra, as well as her vocal contributions for Telefon Tel Aviv and Hughes’ own studio projects. The two reconnected over a cup of coffee 3 years ago, eager to document a new period in their musical lives through a collaboration from the ground up. Anderson, a songwriter, singer and multi-instrumentalist and Hughes, a producer and electronic musician, create a beautiful and strange hybrid of synthesized and organic elements on Algorithm of Desire. The album, equal parts pristine and weathered, lyrically and sonically explores themes of human connection, algorithmic technology, desire and artistic creation, all within the confines of a surrealist landscape. The album was recorded outside of Chicago at HFT Studio and includes several players from the Chicago jazz and improvisational scene.

In addition to their work as Same Waves, Anderson and Hughes, record under the name Hibernis for the Welsh ambient label Serein. Their full-length Middle of the Meds, released October 19, 2018, is described as “a spiritual, eyes-closed trip invoked by modular synths and haunted vocals”. The album was recorded simultaneously with Algorithm of Desire and since Hibernis’ sound fabric was of a more minimal and improvisational nature, it was used a meditative tool to begin their Same Waves recording sessions. This exercise paved the way for a loser, more organic sound and songwriting process for the duo. Realizing they were headed in a new direction, they let go of much of the earlier Same Waves material to make room for newer ideas and expression. Reshaping and re-contextualizing some of the previous songs as well as writing new material, the two discovered their process and their sound was fully formed.